Black and white photography offers a unique perspective
on many subjects. Removing color brings out the hidden details,
textures, and shapes.
Black and white photography is sometimes treated as the "poor relation"
of colour photography. After all, why limit yourself to shades of gray
when you can use the entire spectrum of colours?
In reality a black and white photo can often look even more stunning
and captivating than the colour equivalent. Color can sometimes act as a
distraction in a photo, and removing it can help to re-focus the
viewer's attention on the intended subject.
Black and white photography can be largely boiled down to five key
concepts. Developing your familiarity with them will help you take more
informed black and white shots, and the same concepts can also be used
to improve your color photos.
Shape and Form
When you remove color from an image you can no longer rely on it to
provide interest or a focal point in a scene. This may seem obvious but
it can be easy to forget. By doing away with color we also remove one
of the most potentially distracting elements in a photo.
Form and shape are all-important in black and white photography. When
looking for a good shot, look beyond the colors in a scene and instead
focus you attention on the shapes. Arrange them in a way that emphasises
the most interesting aspect of the shape, or creates an intriguing
composition of different shapes.
Contrast
Without differences in colour to separate elements in your scene, you
must instead introduce contrasting shades into your black and white
photos.
You can use contrast to help your main subject stand out - for example
by photographing a light subject against a dark background - and also to
add depth by including a variety of tones and shades in your photo.
Pattern
Many patterns, particularly subtle ones, often go unnoticed in colour
photos, because the colours draw attention away from the pattern itself.
Black and white photography gives you a much better chance of capturing
interesting patterns because it focuses the viewer's attention on the
shapes formed by the elements in a scene.
Texture
In the same way that patterns can be lost in colour photography,
textures can be too. When we see a colour photo, our mind immediately
begins to identify and label the elements in the scene, meaning that we
often do not really "see" the photo, but instead see our mind's
interpretation of it.
Textures add a real depth to a photo, drawing the viewer into it.
When we photograph in black and white, the mind no longer has that
colour information to work with, and so pays more attention to elements
such as texture, making them appear much more prominent.
Lighting
Lighting is absolutely key to a good black and white photograph because
it affects all of the above elements - shape, contrast, pattern and
texture.
When thinking about your lighting, consider how it will influence all
of these factors, and choose a setup that enhances as many as possible.
Side lighting often produces the most dramatic black and white photos.
It picks out the edges of shapes and increases contrast by adding
highlights, and the shadows it creates add interest to the scene as well
as enhancing textures and patterns.
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